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" I have this to say : the language of the age is never the language of poetry ; except among the French, whose verse, where the thought or image does not support it, differs in nothing from prose. Our poetry, on the contrary, has a language peculiar to... "
The British Prose Writers...: Gray's letters - Página 123
1821
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The English Poets: Addison to Blake

Thomas Humphry Ward - 1903 - 630 páginas
...of poetry ; except among the French, whose verse, where the thought does not support it, differs hi nothing from prose. Our poetry, on the contrary, has...almost every one that has written has added something. In truth, Shakespeare's language is one of his principal beauties; and he has no less advantage over...
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Among my books

James Russell Lowell - 1904 - 352 páginas
...1 " The language of the age is never the language of poetry, except among the French, whose verse, where the thought or image does not support it, differs in nothing from prose." (Gray to West.) 2 Diderot and Rousseau, however, thought their language unfit for poetry, and Voltaire...
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The Letters of Thomas Gray: includes reminiscences of Gray by Norton Nicholls

Thomas Gray - 1904 - 362 páginas
...r~ what Gray says to West (April, 1742), that the verse of the French — he means as to diction — where the thought or imag^e does not support it, differs in nothing from prose. It is significant that D'Alembert speaks incidentally of the great interests which may justify action...
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Essays in Criticism: Second series, Volumen1

Matthew Arnold - 1905 - 354 páginas
...of the age is never the language of poetry ; except among the French, whose verse, where the thought does not support it, differs in nothing from prose....almost every one that has written has added something. In truth, Shakespeare's language is one of his principal beauties ; and he has no less advantage over...
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Lives of the English Poets: Swift-Lyttelton

Samuel Johnson - 1905 - 582 páginas
...language of the age,' Gray wrote, ' is never the language of poetry; except among the French, whose verse, where the thought or image does not support it, differs in nothing from prose.' Gray's Letters, i. 97. [See Appendix AA «. I , p. 444.] 'Gray was at the head of those who, by their...
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The Cambridge History of English Literature: The age of Johnson

Sir Adolphus William Ward, Alfred Rayney Waller - 1913 - 594 páginas
...say : The language of the age is never the language of poetry except among the French, whose verse, where the thought or image does not support it, differs in nothing from prose. Onr poetry, on the contrary, has a language peculiar to itself; to which almost every one, that has...
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English Poems: The restoration and the eighteenth century (1660-1800)

Walter Cochrane Bronson - 1908 - 562 páginas
...1758. "The language of the age is never the language of poetry, except among the French, whose verse, where the thought or image does not support it, differs...derivatives, nay, sometimes words of their own composition or invention."—Letter to West, April, 1742. "Extreme conciseness of expression, yet pure, perspicuous,...
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The Vassar Miscellany, Volumen39

1910 - 414 páginas
...poetry; except among the French, whose verse where the thought or image does not support it, differs nothing from prose. Our poetry, on the contrary, has a language peculiar to itself; to which almost everyone, that has written, has added something by enriching it with foreign idioms and derivative:...
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Essays and Criticisms

Thomas Gray - 1911 - 444 páginas
...say : the language of the age is never the language of poetry ; except among the French, whose verse, where the thought or image does not support it, differs...sometimes words of their own composition or invention. Shakespear and Milton have been great creators this way ; and no one more licentious than Pope or Dryden,...
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Essays and Criticisms

Thomas Gray - 1911 - 446 páginas
...that "the language of the age is never the language of poetry; except among the French, whose verse, where the thought or image does not support it, differs in nothing from prose." Further on in the same letter he pays a tribute to the creative genius of Shakespeare and Milton, manifested...
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