Rhetorical Traditions and British Romantic LiteratureSo successful were the appeals to "genius" by the romantic poets that few critics since have paid much attention to the influence of rhetorical traditions on romantic expression. As the essays in this collection demonstrate, though the status of classical rhetoric declined during the nineteenth century, romantic genius did not sweep away rhetoric. Romantic writers drew upon a number of rhetorical traditions - sophistic, classical, biblical, and enlightenment - in the creation of their art, and interest in various aspects of the art of discourse remained strong. These essays - half of them commissioned for this volume - document the importance of these traditions in shaping the poetry, novels, and criticism of Coleridge, De Quincey, Wordsworth, Shelley, Blake, Austen, and Scott. |
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Contenido
The Method of The Friend | 11 |
Comparing Power | 28 |
De Quinceys Rhetoric of Display and Confessions | 48 |
Romantic Prose and Classical Rhetoric | 65 |
Wordsworths Cintra Tract | 79 |
The Oratorical Pedlar | 94 |
Wordsworths Poems in Two Volumes 1807 and | 108 |
The Case for William Wordsworth | 122 |
Prophetic Form | 185 |
Robert Lowths Sacred Hebrew Poetry and the Oral | 199 |
The New Rhetoric and Romantic Poetics | 217 |
The Conversable World | 233 |
Jeanie Deans and the Nature of True Eloquence | 250 |
Appendix | 265 |
281 | |
CONTRIBUTORS | 300 |
Otras ediciones - Ver todas
Rhetorical Traditions and British Romantic Literature Don H. Bialostosky,Lawrence D. Needham Vista de fragmentos - 1995 |
Términos y frases comunes
action aesthetic apostrophe appears argues argument audience become begins Book century character Cicero claims classical classical rhetoric Coleridge Coleridge's communication concept concern conversation critical definition Demosthenes described discourse discussion edition effect eloquence emotions English epideictic essay example experience expression fact feelings figure Friend give human imagination important influence interest invention kind language Lectures less letter lines literature Lowth lyric manners means method mind moral nature notes object observes offers opening orator original passage passions person philosophical poem poet poetic poetry political practice praise Prelude present principles prophecy prophetic prose question Quintilian readers reading reason reference relation rhetoric Rhetoricians Romantic seems sense Shelley simile social sophists speak speaker speech structure style sublime suggests theory things thought tion topics tradition true truth turn understanding University voice Wordsworth writing