Aristotle: PoeticsUniversity of Michigan Press, 1967 - 124 páginas |
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Página 39
... structure . Hence those who bring 25 charges against Euripides for doing this in his tragedies are making the same mistake . His practice is correct in the way that has been shown . There is a very significant indica- tion : on our ...
... structure . Hence those who bring 25 charges against Euripides for doing this in his tragedies are making the same mistake . His practice is correct in the way that has been shown . There is a very significant indica- tion : on our ...
Página 40
... structure of the events , and this is closer to the mark and characteristic of a better poet . Namely , the plot must be so struc- tured , even without benefit of any visual ef- fect , that the one who is hearing the events unroll ...
... structure of the events , and this is closer to the mark and characteristic of a better poet . Namely , the plot must be so struc- tured , even without benefit of any visual ef- fect , that the one who is hearing the events unroll ...
Página 123
... structure of events , incidents ( systasis tôn pragmatôn ) , 27 , 40 , 43 ; see also plot sympathy ( to philanthrôpon ) , 38 , 95 , 105 Tegea , 66 Telegonus , 41 Telemachus , 71 Telephus , in Euripides , 39 , 96 Tereus , of Sophocles ...
... structure of events , incidents ( systasis tôn pragmatôn ) , 27 , 40 , 43 ; see also plot sympathy ( to philanthrôpon ) , 38 , 95 , 105 Tegea , 66 Telegonus , 41 Telemachus , 71 Telephus , in Euripides , 39 , 96 Tereus , of Sophocles ...
Términos y frases comunes
according action actors actually Aeschylus appears appropriate argument Aristotle Aristotle's beginning better called century character clause clear comedy complex composed composition course criticism dialogues discussion effect elements emotional epic episodes Euripides example expression fact foreign Further give Greek hand happens Hence Homer human iambic idea Iliad imitation important interpretation kind language later length less lines mean mentioned metaphor MICHIGAN moral nature noun Odyssey Oedipus omitted original particular passage pathos perhaps peripety persons phrase pity and fear Plato play pleasure plot poems Poetics poetry poets possible present probably produce question reason recognition reference respect seems sense sentence short simple single sound species speech stage stands story structure taken term theory things thought tion tragedy tragic translation trochaic turn utterance verbal verse whole