Aristotle: PoeticsUniversity of Michigan Press, 1967 - 124 páginas |
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Página 23
... appropriate verse . For iambic is the most speech - like | of verses . An indication of this is that we speak more iambics than any other kind of verse in our conversation with each other , whereas we utter hexameters rarely , and when ...
... appropriate verse . For iambic is the most speech - like | of verses . An indication of this is that we speak more iambics than any other kind of verse in our conversation with each other , whereas we utter hexameters rarely , and when ...
Página 40
... appropriate to it . Since it is the pleasure derived from pity and fear by means of imitation that the poet should seek to produce , it is clear that these qualities must be built into the constituent events . Let us determine , then ...
... appropriate to it . Since it is the pleasure derived from pity and fear by means of imitation that the poet should seek to produce , it is clear that these qualities must be built into the constituent events . Let us determine , then ...
Página 49
... appropriate , as for example the fit of madness through which he is captured and their escape by means of the purification 15 ceremony are appropriate to 128 Orestes . 20 25 But in dramas the episodes are short , whereas the epic gets ...
... appropriate , as for example the fit of madness through which he is captured and their escape by means of the purification 15 ceremony are appropriate to 128 Orestes . 20 25 But in dramas the episodes are short , whereas the epic gets ...
Términos y frases comunes
according action actors actually Aeschylus appears appropriate argument Aristotle Aristotle's beginning better called century character clause clear comedy complex composed composition course criticism dialogues discussion effect elements emotional epic episodes Euripides example expression fact foreign Further give Greek hand happens Hence Homer human iambic idea Iliad imitation important interpretation kind language later length less lines mean mentioned metaphor MICHIGAN moral nature noun Odyssey Oedipus omitted original particular passage pathos perhaps peripety persons phrase pity and fear Plato play pleasure plot poems Poetics poetry poets possible present probably produce question reason recognition reference respect seems sense sentence short simple single sound species speech stage stands story structure taken term theory things thought tion tragedy tragic translation trochaic turn utterance verbal verse whole