Early Medieval Music Up to 1300Anselm Hughes Oxford University Press, 1954 - 434 páginas Deals with the music from early Christian times to the end of the thirteenth century, embracing the change from monody to polyphony and from a free rhythm to rhythmic regularity, two of the revolutions in style which have determined the character of modern Western music. |
Contenido
AN ABYSSINIAN HYMN BOOK facing p | 48 |
AN ARMENIAN HYMN BOOK WITH NEUMS facing p | 52 |
LATIN CHANT BEFORE ST GREGORY By Monsignore | 58 |
GREGORIAN CHANT By HIGINI ANGLÈS | 92 |
222 | 100 |
Melodic Types and Tonality | 109 |
TROPE SEQUENCE AND CONDUCTUS BY JACQUES | 128 |
Prototypes at Nonantola | 136 |
LITURGICAL DRAMA By w L SMOLDON | 173 |
QUEM QUAERITIS TROPE facing p | 177 |
MEDIEVAL SONG By J A WESTRUP Professor of Music | 220 |
O ROMA NOBILIS facing p | 221 |
THE BIRTH OF POLYPHONY By Dom ANSELM HUGHES | 270 |
MUSIC IN THE TWELFTH CENTURY By Dom ANSELM | 287 |
a VIRTUTE NUMINIS facing p | 303 |
MUSIC IN FIXED RHYTHM By Dom ANSELM HUGHES | 309 |
Adaptation of Texts | 146 |
Early Sources | 152 |
Music and Text | 158 |
Tropes of the First Period | 165 |
THE ST VICTOR MANUSCRIPT facing p | 348 |
THE MOTET AND ALLIED FORMS By Dom ANSELM | 353 |
BIBLIOGRAPHY | 405 |
INDEX | 418 |