Milton and the Postmodern

Adam allegory already appears argue becomes beginning Benjamin blind body calls castration Christ classical comes concept considered course critics culture Dalila death deconstructive Derrida desire difference discourse dissemination double economy effect English evil fact Fall fallen father feminine figure flowers follow force Freud Genet Glas head Hegel human important kind language less living look loss Lycidas marks means merely metaphor metaphysical Milton mind mourning nature never Nietzsche notion object once origin Paradise Lost Paris passage philosophical poem poet poetic political position potency present Press production question reader reading reason recognize reference relation representation represents Samson Satan scene sense separation signifies signs simply space speak speech spirit style suggests symbolic thanatopraxie things thought tion traces tradition truth turn undecidability University violence voice wish woman writing