The World of the Imagination: Sum and SubstanceRowman & Littlefield, 1991 - 810 páginas In this book, Eva Brann sets out no less a task than to assess the meaning of imagination in its multifarious expressions throughout western history. The result is one of those rare achievements that will make The World of the Imagination a standard reference. |
Contenido
VIII | 35 |
IX | 40 |
X | 46 |
XI | 48 |
XIII | 50 |
XIV | 51 |
XV | 57 |
XVI | 62 |
LVIII | 366 |
LIX | 373 |
LX | 385 |
LXI | 389 |
LXII | 396 |
LXIII | 415 |
LXIV | 416 |
LXV | 418 |
XVII | 69 |
XVIII | 70 |
XIX | 78 |
XX | 82 |
XXI | 89 |
XXII | 100 |
XXIII | 103 |
XXIV | 107 |
XXV | 108 |
XXVI | 109 |
XXVII | 110 |
XXVIII | 112 |
XXIX | 119 |
XXX | 120 |
XXXI | 156 |
XXXII | 180 |
XXXIII | 184 |
XXXIV | 193 |
XXXV | 207 |
XXXVI | 211 |
XXXVII | 213 |
XXXVIII | 217 |
XXXIX | 222 |
XL | 229 |
XLI | 230 |
XLII | 237 |
XLIII | 250 |
XLIV | 257 |
XLV | 269 |
XLVI | 271 |
XLVII | 281 |
XLVIII | 291 |
LI | 293 |
LII | 307 |
LIII | 315 |
LIV | 324 |
LV | 328 |
LVI | 354 |
LVII | 365 |
LXVI | 425 |
LXVII | 426 |
LXVIII | 432 |
LXIX | 439 |
LXX | 459 |
LXXI | 463 |
LXXII | 472 |
LXXIII | 486 |
LXXIV | 495 |
LXXV | 513 |
LXXVI | 519 |
LXXVII | 525 |
LXXVIII | 527 |
LXXIX | 530 |
LXXX | 545 |
LXXXI | 546 |
LXXXII | 559 |
LXXXIII | 577 |
LXXXIV | 581 |
LXXXV | 584 |
LXXXVI | 589 |
LXXXVII | 603 |
LXXXVIII | 618 |
LXXXIX | 637 |
XC | 639 |
XCI | 681 |
XCII | 685 |
XCIII | 700 |
XCIV | 711 |
XCV | 714 |
XCVI | 724 |
XCVII | 741 |
XCVIII | 742 |
XCIX | 757 |
C | 773 |
CIII | 787 |
799 | |
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Términos y frases comunes
activity actual aesthetic Allan Paivio appearance Aristotle aspect C.S. Lewis called cognitive cognitive psychology cognitive science concept consciousness daydreaming depiction Descartes distinction distinguished dreams dystopias edited effect example existence experience external fact faculty fantasy fiction figures function geometric human Husserl ideas imaginary imagination imagistic inner insofar intellectual internal intuition Kant kind Kosslyn literary logical means memory mental imagery mental images metaphor mind mode myth nature Ned Block notion novel object Odysseus original painting perception phantasia Phenomenology philosophical physical Piaget pictorial picture Plato poetic poetry poets possible present problem projection propositional psychic psychology question reason relation representation resemblance Romantic Romanticism Sartre seems sensation sense sensibility sensory shape sort soul space spatial speak specific symbolic temporal theory things thinking thought tion tradition truth turn University Press Utopia verbal vision visual visual perception Wittgenstein words York
Pasajes populares
Página 22 - Fancy is indeed no other than a mode of Memory emancipated from the order of time and space; while it is blended with, and modified by that empirical phenomenon of the will, which we express by the word CHOICE. But equally with the ordinary memory the Fancy must receive all its materials ready made from the law of association.* 2 1, 202.