Milton: Paradise LostThe Ethnographer's Toolkit series begins with this primer, which introduces novice and expert practitioners alike to the process of ethnographic research, including answers to questions such as who should and can do ethnography, when it is used most fruitfully, and how research projects are carried out from conceptualization to the uses of research results. Written in practical, straightforward language, this new edition defines the qualitative research enterprise, links research strategies to theoretical paradigms, and outlines the ways in which an ethnographic study can be designed. Use Designing and Conducting Ethnographic Research as a guide to the entire Toolkit or as a stand-alone introduction to ethnographic research. |
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Contenido
Paradise Lost in Miltons career and age | 1 |
2 Lycidas | 7 |
3 Writing in the English Revolution and the Restoration | 11 |
4 Milton s blindness | 19 |
5 Miltons theological heresies | 23 |
Interpreting Paradise Lost 6 Say first what cause Paradise Lost and beginnings | 29 |
Paradise Lost and epic ambition | 31 |
8 The voice of the poet | 37 |
12 God providence and free will | 72 |
13 Miltons Eden | 78 |
14 Adam and Eve and human sexuality | 81 |
15 The material cosmos of Paradise Lost | 89 |
16 War in Heaven | 93 |
17 Creation | 100 |
18 The tragedy of the Fall | 103 |
19 Postlapsarian history and the inner paradise | 111 |
9 Answerable styles | 46 |
daring ambition and heroic ideology | 55 |
geographical place and internal state | 66 |
The literary afterlife of Paradise Lost | 122 |
130 | |
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Términos y frases comunes
active Adam and Eve ambitious angels associated attempt authority become beginning Biblical blind Book Book 9 born called Cambridge central Christian classical complex created creation creative critical daring dark Death describes devils divine drama early earth emotional emphasis engage epic especially Eve's evil example explore expresses Fall fallen Father feelings force fruit gives God's Heaven Hell heroic human imaginative invocation John King language later less light lines literary Lives London matter means Michael Milton mind moreover narrative nature noted observes original Paradise Lost passage passion poem poem's poet poet's poetic poetry political presents prophetic Protestant published Raphael readers reason recalls relation Renaissance response Restoration rhetoric sacred Satan Second sense sexual Smectymnuus speech spirit studies style suggests tells temptation themes theological things thir tradition universe vision visionary voice writing