Acting in Shakespeare". . .an excellent basic guide for anyone who likes to get behind the scenes, be it the actor who performs or the student who studies Shakespeare's script as a literary text." THE SHAKESPEARE NEWSLETTERActing in Shakespeare helps actors at all levels develop the skills they need to perform in Shakespearean plays. Lessons proceed in carefully graduated steps from simple, single lines to short speeches to more difficult, sophisticated scenes. A wealth of historical information and insightful descriptions of Shakespearean times and players bring Shakespeare's work within the actor's reach. Abundant exercises build gradually in difficulty, giving student actors confidence that they can act in Shakespeare. Exercises are appropriate not only for use in the classroom but also for independent study. Actors often find Shakespearean language and customs unusual and intimidating. Acting in Shakespeare relates Shakespearean acting to real-life, contemporary situations and common acting theory, helping actors realize that performing Shakespeare is well within their grasp."Acting in Shakespeare is difficult. . . . His verse is not the language of our everyday American speech; the costumes in which he visualized his characters are not the clothing of everyday American life. Playing Shakespeare may mean living in a very different world from the one we normally inhabit." Robert Cohen, from the Preface"By book's end, students can reasonably be expected to be comfortable and confident with Shakespeare's demands. . . . [His] chapter on physicalizing Shakespeare contains a number of stimulating exercises (Cohen's strength as an acting teacher). . . . Cohen helps students apply his lessons: I can't imagine a group of students not being enthralled by Cohen's ingenious concept. . . . Acting in Shakespeare is so readily accessible and full of such "do-able" exercises that it should be a staple of period style classes for years to come." THEATRE JOURNAL |
Comentarios de la gente - Escribir un comentario
No encontramos ningún comentario en los lugares habituales.
Contenido
Who Was Shakespeare and Why Study Him? | 3 |
Calculated Effects | 17 |
Oppositions and Builds | 25 |
Derechos de autor | |
Otras 19 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
acting action actor alliteration answer audience basic become beginning blanket bring build called characters choose Citizen comes costume course court create death directed dramatic Dream Elizabethan emotions English escalation example EXERCISE expression eyes father feel final foot force four friends gesture give given goal Hamlet hand hear heaven Henry iambic Kent King Lady language Lear least LESSON Library live look master means move movement nature never night Notice Othello particularly performance person phrases physical play powerful question reading refer regular rhetoric Richard role Romeo scene sense Shake Shakespeare simply sometimes sound speak specific speech stage stand step story stressed structure syllable tell theater things thou turn understand University verse Word notes