Hidden fields
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" ... of our argument that repetition speaks in the text of a return which ultimately subverts the very notion of beginning and end, suggesting that the idea of beginning presupposes the end, that the end is a time before the beginning, and hence that the... "
The Woman Saint in Spanish Golden Age Drama - Página 23
por Christopher D. Gascón - 2006 - 203 páginas
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The United Stories of America: Studies in the Short Story Composite

Rolf Lundén - 1999 - 212 páginas
...text: 39 Lohafer, Coming to Terms with the Short Story, 96. 40 Torgovnick, Closure in the Novel, 5 It is the role of fictional plots to impose an end...Any narrative, that is, wants at its end to refer back to its middle, to the web of the text: to recapture us in its doomed energies.42 Maybe any narrative...
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Narrative Theory: Political narratology

Mieke Bal - 2004 - 402 páginas
...a time before the beginning, and hence that the interminable never can be finally bound in a plot. Analysis, Freud would eventually discover, is inherently...generate new beginnings in relation to any possible end.19 It is the role of finctional plots to impose an end which yet suggests a return, a new beginning:...
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The Novel: An Anthology of Criticism and Theory 1900-2000

Dorothy J. Hale - 2005 - 841 páginas
...a time before the beginning, and hence that the interminable never can be finally bound in a plot. Analysis, Freud would eventually discover, is inherently...yet suggests a return, a new beginning: a rereading. A narrative, that is, wants at its end to refer us back to its middle, to the web of the text: to recapture...
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Strange Cases: The Medical Case History and the British Novel

Jason Daniel Tougaw - 2006 - 256 páginas
...also identify with its form, turning the pages with an eye to our own mortality. Brooks concludes that "it is the role of fictional plots to impose an end...rereading. Any narrative, that is, wants at its end to draw us back to its middle, to the web of the text: to recapture us in its doomed energies" (111)....
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New Sounds, New Stories: Narrativity in Contemporary Music

Vincent Meelberg - 2006 - 274 páginas
...that a narrative has to elicit the feeling that the repetition of an entire work almost is mandatory: "It is the role of fictional plots to impose an end...yet suggests a return, a new beginning: a rereading" (109). Narratives thus have to arouse the desire to re-experience these narratives. And as I explained...
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