and half in earnest, out of pity for a bashful man. Now, about the last thing we should suppose a man would think of in such a connection was

-"David's transgression," and "Bathsheba's beautiful face,”

or of "Satanic temptations," as the poet informs us John Alden did. John Alden may have been a worthy man, and, we doubt not, he made a good husband, but certainly he did not shine as a lover.

We return to the character of Priscilla. Thus far, the poet has drawn it with great skill—especially the naivete and archness of her disposition. But now, as it seems to us, he departs from this view of her character. He represents her as making a grave apology to John Alden for her boldness-and the apology itself sounds to us much like a speech in a woman's convention, in behalf of the right to say such things. As a somewhat between joke and earnest, the words of the maiden were a thing pleasant to be remembered; as an error to be apologized for, something, rather, always to be ashamed of. But the reply of John Alden was still worse. Here was a youthful maiden ingenuously apologizing for what might appear an over-forwardness, and how is she met?

"Thereupon, answered John Alden, the scholar, the friend of Miles Standish : I was not angry with you, with myself alone I was angry, Seeing how badly I managed the matter I had in my keeping."

With himself, indeed! Could he at this time, think only of self! Had he no generous sentiments in his heart! Was this all he could say to put the maiden at peace with herself! This interview between Priscilla and John Alden on the shore seems to us a blemish on the poem. It comes to the following very lame and impotent conclusion, in the words of John Alden?

"Yes! we must ever be friends; and of all who offer you friendship, Let me be ever the first, the truest, the nearest and dearest!'

But out of this reconciliation of friendship, has arisen a passage of beautiful poetry which we quote:

Straight uprose from her wheel the beautiful Puritan maiden,

Pleased with the praise of her thrift from him whose praise was the sweetest,,
Drew from the reel on the table a snowy skein of her spinning,

Thus making answer, meanwhile, to the flattering phrases of Alden:
'Come, you must not be idle; if I am a pattern for housewives,
Show yourself equally worthy of being the model of husbands.
Hold this skein on your hands, while I wind it, ready for knitting;
VOL. XVII.

18

Then who knows but hereafter, when fashions have changed and the manners,
Fathers may talk to their sons of the good old times of John Alden!'
Thus, with a jest and a laugh, the skein on his hands she adjusted,
He sitting awkwardly there, with his arms extended before him,
She standing graceful, erect, and winding the thread from his fingers,
Sometimes chiding a little his clumsy manner of holding,
Sometimes touching his hands, as she disentangled expertly

Twist or knot in the yarn unawares-for how could she help it ?—
Sending electrical thrills through every nerve in his body."

We here close our comment. There are many other beautiful passages, and a few with which we might find fault; but we have pursued the subject far enough. The blemishes which we have mentioned seem to us to have arisen from the attempt of the poet to construct too elaborate a poem out of the event which it celebrates.

The subject is one better suited to the ballad than any more stately poem; indeed, it has already been employed for this purpose.

The following ballad has been handed to us by a lady who traces her descent upon both her father's and mother's side to the marriage of John Alden and Priscilla Mullins. The verses have been long in the possession of the family, who do not know the author. We are not aware that they have ever before been printed.*

Miles Standish in the Mayflower came

Across the stormy wave;

And in that little band was none

More generous or brave.

'Midst cold December's sleet and snow,

On Plymouth Rock they land;

Weak were their hands but strong their hearts,
That pious Pilgrim band.

Oh, sad it was in their poor huts,
To hear the storm wind blow,
And terrible at midnight hour,
When yelled the savage foe.

And when the savage, grim and dire,

His bloody work began;—

For a champion brave I have been told

Miles Standish was the man.

*This ballad which we have introduced into our pages had been in type for nearly a week, when it appeared in Littell's Living Age for Jan. 29th, 1859. We etain it for convenience of reference.

But, oh! his heart was made to bow
With grief and pain full low,
For sickness on the Pilgrim band
Now dealt a dreadful blow.

In arms of death so fast they fell,
They scarce were buried,

And his dear wife, whose name was Rose,
Was laid among the dead.

His sorrow was not loud, but deep,
For her he did bemoan;

And such keen anguish wrung his heart,
He could not live alone.

Then to John Alden he did speak-
John Alden was his friend-
And said, "Friend John, unto my wish,
I pray thee now attend.

"My heart is sad; 'tis very sad,

My poor wife Rose is goneAnd in this cold and savage land, I cannot live alone.

"To Mr. William Mullins, then,
I wish you would repair,
To see if he will give me leave,
To wed his daughter fair."

Priscilla was this daughter's name,
Comely and fair was she-
And kind of heart she was withal,
As any maid could be.

John Alden, to oblige his friend,
Straightway to Mullins went,
And told his errand like a man,

And asked for his consent.

Now Mullins was a sire

Quite rational and kind,
And this consent would never give
Against his daughter's mind.

He told John Alden if his child

Should be inclined that way,
And Captain Standish was her choice,
He had no more to say.

He then called in his daughter dear,

And straightway did retire,

That she might with more freedom speak,
In absence of her sire.

John Alden had a bright blue eye,

And was a handsome man ;
And when he spoke, a pleasant look
O'er all his features ran.

He rose, and in a courteous way
His errand did declare;

And said, "fair maid, what word shall I
To Captain Standish bear ?"

Warm blushes glowed upon the checks
Of that fair maiden then;
At first she turned away her eye,
Then looked at John again.

And then with downcast, modest mien
She said, with trembling tone,
"Now prithee, John, why dost thou not
Speak for thyself alone?"

Deep red then grew John Alden's face,
He bade the maid good bye;
But well she read, before he went,
The language of his eye.

No matter what the language said
Which in that eye was rife,

In one short month Priscilla was
John Alden's loving wife.

"Bitter Sweet," is another New England poem; alike in its scenery, its incidents, and its allusions. The cellar-scene could have been drawn from no real life in any other quarter of this globe of ours. The theme also, the problem of evil, its design and uses, is one on which the New England mind is exceedingly prone to meditate, and to which it returns afresh in every generation. There is no little skill in the development of the plot, and the interest is raised to the culminating point with genuine dramatic power.

* Bitter Sweet. A Poem. By J. G. HOLLAND, author of the "Bay Path," "Titcomb's Letters," &c. New York: Charles Scribner, 124 Grand street. 1859.

But is the author a poet? Being a friend of ours, we of course are inclined to think he is; and yet, because a friend, we suspect our

judgment may be biased in his favor. We turn again to his pages, that if possible we may answer aright. We think he is a poet, because there are not a few passages that bespeak a poet's fire, imagination, and mastery of verse. Were he somewhat more natural and easy in the development of his thoughts, less grotesque in his combinations, and abrupt in his transitions ; did he sustain himself more steadily in his higher flights, and were he more uniformly correct in his management of verse, he would have written a better poem than this, with all its manifest and peculiar excellencies. We hope he will do the amplest justice to his powers, and if he will, we believe he may take high rank among the poets that are to be. If we do not greatly mistake, he has the stuff which will repay a thorough and superior cultivation. We entreat him to give us no such unpleasant themes as the nucleus of a second story. There is a refined sense which instinctively excludes such subjects as are treated in Bitter Sweet, from the poetry of truth, and love, and hope, or which requires that they be lightly touched, not dissected and described as here. Even Mrs. Browning, with all her freedom, never takes such liberties with one's better feelings.

Our readers no doubt are well aware that Messrs. Phillips, Sampson & Co. have issued in the volume form, the papers which gained so much notoriety last year, in the "Atlantic Monthly," under the title of "The Autocrat of the Breakfast Table." In sending out a notice of this remarkable volume, we are doing what perhaps would be more appropriate for a Popish saint, than for a Protestant New Englander. It is clearly a work of supererogation to commend to public attention a book which all the world has been reading and praising for several months. We might, indeed, endeavor to sustain our Protestant character by impeaching the credit of the "Autocrat," by proving that there is a latent unsoundness in some lively arguments, and that certain ingenious paradoxes do not rest upon infallible authority. And we must confess in all seriousness, that occasional remarks on topics connected with religion. have affected us somewhat painfully; for they seemed likely to produce in some readers a spirit of indifference or levity, which, we willingly believe, has no place in the mind of the writer. But a critic, who could go through the volume, without being overpowered by its singular fasci

* The Autocrat of the Breakfast Table. Boston: Phillips, Sampson & Company. 1858.