The Works of Oliver Goldsmith

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Cambridge Scholars Publishing, 2009 - 312 páginas
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1886. Excerpt: ... "Pomp, cumbrous." ii. 35, 1. 66. Pomp and power, ii. 98, 1. 6. Pompadour, Madame de, iii. 28, iv. 464; and Voltaire, iv. 39. "Pomposo " = Dr. Johnson, ii. 474 n. Pont-neuf, the, school of music, i. 388. Poor, the, ii. 314, 426, iii. 271, 341, v. 205, 359, 362; affecting the manners of the rich, ii. 395; bounty to, ii. 102,1. 143; cala-mities of, iii. 134; in the clothes of their betters, v. 253; dis-tresses of, iii. 428; their happi-ness is ignorance, iii. 307; helping the, v. 395; laws op-pressive to, iii. 299; the mise-ries of, i. 211; monarchy the best government for, i. 167; provision for, iii. 96; put on appearances, i. 107; religion most needed by, ii. 425; send-ing them to America, iii. 64; serving the, ii. 355; in society, i. 261; struggles of, iii. 244; the poor man in heaven, i. 210; better be poor than seem poor, ii. 343, 348; but not modest, i. 294; relations and guests, and how to get rid of them, i. 72; the cow and, v. 212; and the hospitals, v. 176 n.; and luxury, iii. 43 n.; and the rich, i. 150, 210, 281, ii. 18, 1. 386, v. 214; combinations of rich and poor advisable, i. 119; and the Vicar, i. 79, 187. See also under Beggars, Houseless, Luxury, Rich, &c &c "Poor Poll," epitaph on Gold-smith, several versions and ac-counts of, ii. 51 n. "Poor's decay, the," ii. 41, 1. 266. Pope, the, ii. 411. Pope, A., ii. 389, iii. 49, 202 n., iv. 27, 160, 164, 173, 366, 418, v. 346; criticised, i. 130; de-fence of, iv. 295; quoted, i. 257, iii. 220; his inscription on the Bath obelisk, iv. Ill; Bo-lingbroke's works burnt by him, iv. 227 n.; his want of candour and sincerity, iv. 169; his Correspondence, contradiction in, see under Gay quoted: his 'Eloisa to Abelard, ' v. 156; his epigram on Ralph Allen, iv. 106 n.; his letters to Beau Nash, iv. 109; his ...

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Acerca del autor (2009)

As Samuel Johnson said in his famous epitaph on his Irish-born and educated friend, Goldsmith ornamented whatever he touched with his pen. A professional writer who died in his prime, Goldsmith wrote the best comedy of his day, She Stoops to Conquer (1773). Amongst a plethora of other fine works, he also wrote The Vicar of Wakefield (1766), which, despite major plot inconsistencies and the intrusion of poems, essays, tales, and lectures apparently foreign to its central concerns, remains one of the most engaging fictional works in English. One reason for its appeal is the character of the narrator, Dr. Primrose, who is at once a slightly absurd pedant, an impatient traditional father of teenagers, a Job-like figure heroically facing life's blows, and an alertly curious, helpful, loving person. Another reason is Goldsmith's own mixture of delight and amused condescension (analogous to, though not identical with, Laurence Sterne's in Tristram Shandy and Johnson's in Rasselas, both contemporaneous) as he looks at the vicar and his domestic group, fit representatives of a ludicrous but workable world. Never married and always facing financial problems, he died in London and was buried in Temple Churchyard.

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