Shakespeare and the Uses of Antiquity: An Introductory EssayRoutledge, 2005 M07 15 - 240 páginas Although a third of his plays are set in the ancient world and he constantly used classical mythology, history, and ideas, Shakespeare received a simple grammar school education and did not have a scholar's knowledge of the classics. The critical implications of this are the subject of Shakespeare and the Uses of Antiquity. Against a recent academic tendency to exaggerate Shakespeare's learning, the authors investigate how he used his comparatively restricted knowledge to create, for example, an unusually convincing picture of Rome, and analyse, by presenting us with careful readings of specific passages, the styles Shakespeare employed under the influence of classical writers, especially Ovid, Seneca, and (in translation) Homer and Plutarch. |
Dentro del libro
Resultados 1-5 de 30
Página 7
... rhetorical . It was an Erasmian doctrine that language was the basis of knowledge ; hence the focus on words and their arrangement and on copia , rhetorical fluency . Shakespeare's interest in the techniques of teaching is shown on a ...
... rhetorical . It was an Erasmian doctrine that language was the basis of knowledge ; hence the focus on words and their arrangement and on copia , rhetorical fluency . Shakespeare's interest in the techniques of teaching is shown on a ...
Página 11
... rhetorical exercises ; neo - Latin poems like those of Mantuan , the hero of Holofernes , and Palingenius , possibly the source for ' All the world's a stage'23 ; the fables of Camerarius , where Shakespeare first found the fable of the ...
... rhetorical exercises ; neo - Latin poems like those of Mantuan , the hero of Holofernes , and Palingenius , possibly the source for ' All the world's a stage'23 ; the fables of Camerarius , where Shakespeare first found the fable of the ...
Página 12
... rhetorical terms . The doctrine of imitation ( itself of classical origin ) was of course at the heart of much Renaissance thinking about literature , and is eloquently expounded by Jonson in Discoveries . One learned to write by ...
... rhetorical terms . The doctrine of imitation ( itself of classical origin ) was of course at the heart of much Renaissance thinking about literature , and is eloquently expounded by Jonson in Discoveries . One learned to write by ...
Página 21
Alcanzaste el límite de visualización de este libro.
Alcanzaste el límite de visualización de este libro.
Página 23
Alcanzaste el límite de visualización de este libro.
Alcanzaste el límite de visualización de este libro.
Contenido
1 | |
SHAKESPEARES OVID | 45 |
SHAKESPEARES TROY | 91 |
SHAKESPEARES ROME | 121 |
SHAKESPEARES STOICISM | 165 |
Otras ediciones - Ver todas
Shakespeare and the Uses of Antiquity: An Introductory Essay Charles Martindale,Michelle Martindale Vista previa limitada - 1994 |
Shakespeare and the Uses of Antiquity: An Introductory Essay Charles Martindale Sin vista previa disponible - 1994 |
Shakespeare and the Uses of Antiquity: An Introductory Essay Michelle Martindale Sin vista previa disponible - 1994 |
Términos y frases comunes
Achilles Actaeon ancient Antony Antony and Cleopatra appear argues argument audience becomes Brutus Caesar called character classical Cleopatra comes context contrast Coriolanus critics death drama edition effect Elizabethan English Essays example fact gives Greek hand heroic Homer idea Iliad imagination imitation influence interest Jonson kind language later Latin learned least less lines literature live London look lovers Macbeth manner matter means Metamorphoses mind moral moving nature op.cit original Ovid Ovid's Ovidian Oxford particular partly passage perhaps person picture Plautus play poem poet poetry political present reference Renaissance rhetorical Roman Rome scene seems seen Seneca sense Shake Shakespeare similar speech Stoic story Studies style suggests things thought Titus tradition tragedy translation Troilus turns University Press Venus verse virtue whole writing