Covenant and Eschatology: The Divine DramaWestminster John Knox Press, 2002 M01 1 - 351 páginas In this innovative work in theological method and hermeneutics, Michael S. Horton uses the motif of the covenant as a way of binding together God's "word" and God's "act." Seeking an integration of theological method with the content of Christian theology, Horton emphasizes God's covenant as God's way of working for redemption in the world. Horton maintains a substantial dialogue with important philosophical figures and Christian theologians, ultimately providing scholars and serious students a significant model for approaching and understanding Christian theology. |
Contenido
Eschatology after Nietzsche | 20 |
God Acts in History | 47 |
Accounting for Divine Action | 75 |
All the Worlds a Stage | 99 |
God Speaks | 121 |
Interpreting for Divine Discourse | 147 |
Implications of a Covenantal Hermeneutic | 181 |
Reintegrating the Rhetoric of Redemption | 220 |
Community Theater | 265 |
329 | |
Términos y frases comunes
Referencias a este libro
Creation, Tabernacle, and Sabbath: The Sabbath Frame of Exodus 31:12-17; 35 ... Daniel C. Timmer Sin vista previa disponible - 2009 |
The Drama of Doctrine: A Canonical-linguistic Approach to Christian Theology Kevin J. Vanhoozer Vista previa limitada - 2005 |