Companion to Contemporary Musical Thought, Volumen1John Paynter Taylor & Francis US, 1992 - 1208 páginas |
Contenido
Music the modern world and the burden of history | 1 |
PARTI PEOPLE AND MUSIC | 23 |
Music nonmusic and the soundscape | 34 |
Analysis and the composer 715 | 38 |
the conception and development of a 736 | 44 |
two poles | 46 |
Public performance and the concert as categories of musical 72 222 | 72 |
What makes music musical? 82 | 82 |
Text context music | 272 |
On making music out of music | 290 |
THE TECHNOLOGY OF MUSIC | 317 |
A technological approach to music | 329 |
Towards a new age in the technology of computer music | 355 |
the inner and | 374 |
Composition with machines | 399 |
Artistic necessity context orientation configurable space | 426 |
The action value of musical experience and learning 105 | 105 |
Musical as cultural text | 128 |
Music and the arts in preRenaissance and Renaissance | 156 |
the composers posthumous reputation in the | 208 |
some current approaches to the 931 | 223 |
Musick that mindtempering art | 226 |
a little narrative with several offramps | 248 |
about realtime composition | 454 |
amplified | 500 |
listening in the electroacoustic era | 514 |
new relationships in the | 555 |
Composing sounds with computers | 583 |
Improvisation 776 | 609 |
Otras ediciones - Ver todas
Términos y frases comunes
absolute film acousmatic acoustic Action Learning aesthetic approach artistic audio background music become behaviour Cambridge century commercial communication compact disc complex composer computer music concert consciousness contemporary context create creative cultural effect electroacoustic music electronic music elements environment example exist expression Figure function functional tonal Gamelan gesture granular synthesis Handel harmonic series harmony human individual instruments interactive involved IRCAM J.S. Bach language listener live London material means medium melody Menston MIDI music education music technology musical activity musical experience musicians musicology nature notes objects octave pattern perceived perfect fifth performance pitch play polyphony possible production psychological realization recording relation relationship Renaissance result rhythm rhythmic sense significant social society song sonic sound soundscape space structure symbolic symphony synthesizers techniques timbre traditional tuning University Press visual words York
Referencias a este libro
Hören und Klang: empirisch phänomenologische Untersuchungen Daniel Schmicking Vista previa limitada - 2003 |