Creativity: Theory, History, PracticeRoutledge, 2005 M04 15 - 370 páginas Creativity: Theory, History, Practice offers important new perspectives on creativity in the light of contemporary critical theory and cultural history. Innovative in approach as well as argument, the book crosses disciplinary boundaries and builds new bridges between the critical and the creative. It is organised in four parts:
Rob Pope takes significant steps forward in the process of rethinking a vexed yet vital concept, all the while encouraging and equipping readers to continue the process in their own creative or 're-creative' ways. Creativity: Theory, History, Practice is invaluable for anyone with a live interest in exploring what creativity has been, is currently, and yet may be. |
Contenido
II | 1 |
III | 3 |
IV | 7 |
V | 10 |
VI | 14 |
VII | 17 |
VIII | 19 |
IX | 22 |
XXXVIII | 149 |
XXXIX | 151 |
XL | 155 |
XLI | 158 |
XLII | 163 |
XLIII | 164 |
XLIV | 168 |
XLV | 179 |
X | 35 |
XI | 37 |
XII | 38 |
XIII | 39 |
XIV | 41 |
XV | 45 |
XVI | 52 |
XVIII | 53 |
XIX | 57 |
XX | 60 |
XXI | 62 |
XXII | 65 |
XXIII | 70 |
XXIV | 78 |
XXV | 84 |
XXVI | 90 |
XXVII | 91 |
XXVIII | 99 |
XXIX | 116 |
XXX | 119 |
XXXI | 123 |
XXXII | 135 |
XXXIII | 137 |
XXXIV | 140 |
XXXV | 141 |
XXXVI | 143 |
XXXVII | 145 |
XLVI | 185 |
XLVIII | 191 |
XLIX | 192 |
L | 195 |
LI | 197 |
LII | 198 |
LIII | 203 |
LIV | 211 |
LV | 217 |
LVI | 230 |
LVII | 235 |
LVIII | 242 |
LIX | 248 |
LX | 253 |
LXI | 254 |
LXII | 258 |
LXIII | 261 |
LXIV | 262 |
LXV | 263 |
LXVI | 264 |
LXVII | 266 |
LXVIII | 269 |
LXIX | 271 |
281 | |
292 | |
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Términos y frases comunes
activity Adrienne Rich aesthetic ancient Apuleius artist aspects ative beginning Big Bang called century chaos chaos theory Chapter classic cloud of unknowing complex conceived conception of creativity contemporary Coyote created creation myths creator critical crucial cultural cyborg Deleuze and Guattari Derek Attridge Derrida divine dynamic emphasis Enuma Elish evolution example explore fact female Fiona Sampson genes Genesis genetic genius genre Greek Guattari Heraclitus human imagination individual insists inspiration instance invention kinds language literature Lucretius male matter means Meanwhile metaphor mind model of creativity modern multiverse nature notion novel observed offers original particular Percy Shelley philosophical play poet political postmodern potential practice precisely radically recognise relations Rob Pope Romantic sense sexual social specifically Steiner Sternberg 1999 story tend theory things Tim Etchells tion tradition transformation turn unconscious universe vision words writing