Andrej Belyj's 'Petersburg', James Joyce's 'Ulysses', and the Symbolist MovementH. Lang, 1970 - 211 páginas |
Contenido
ACKNOWLEDGMENTS | |
II | 1 |
EXPANSION OF MOMENT | 6 |
Derechos de autor | |
Otras 4 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
Ableuxov action aesthetic allusions ambiguity Andrej Belyj Andrey Bely approach artist Aschenbach associated becomes Belyj's Petersburg Bloom bomb Bronze Horseman causal chapter characters connection Consul create Critical Death in Venice devices dimension Dostoevsky Dudkin element epiphany epiphany and symbol existence experience fiction framework governess Gregor Gregor Samsa Harry Levin human Ibid inner interpretation James Joyce James Joyce's Ulysses James's Joyce and Belyj juxtaposition Kafka language Lippančenko literary Lowry Malcolm Lowry Mann masquerade ball meaning Metamorphosis metaphor modern monologue moral Moscow motifs myth narrative narrator Nikolaj nineteenth-century Notes from Underground novel parody poetic poetry Portrait present problem prose protagonist protagonist and reader psychological reality relation Russian Literature sense social Sofja Petrovna spatial speaker in Notes Stephen Hero story stream of consciousness structure suspended synesthesia synthesis tale technique temporal themes transformation Turn Ulysses and Petersburg Volcano Wandering Rocks words writes York ог
Referencias a este libro
The Stony Dance: Unity and Gesture in Andrey Bely's Petersburg Timothy Langen Vista previa limitada - 2005 |
Bely, Joyce, and Döblin: Peripatetics in the City Novel Peter I. Barta Sin vista previa disponible - 1996 |