The New Criticism

accent actual aesthetic aesthetician ambiguity analysis argument attention attitudes beauty believe Binomial Theorem character cognitive Coleridge criticism detail discussion Donne dramatic effect Eliot emotion Empson ence essay example fact feeling free verse function Hart Crane heterogeneity human I. A. Richards iambic iconic signs imagine important impulses intellectual interest irrelevant Jonson kind language literary logical structure look meaning meta metaphor metaphysical metaphysical poetry meter metrical metrical variations mind modern modernist poetry moral Morris nature object offer ontological particular passage perhaps philosophical phonetic phrase poem poet poet's poetic experience poetry practical precise principle prose reader reference religion remark Richards scansion scientific discourse seems sense Shakespeare situation sonnet sort struc suppose syllables symbolic T. S. Eliot tenor texture theory thing thought tion tradition tragedy ture vallies vehicle Volpone whole Winters words Yvor Winters