A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and VoiceA. & C. Black, 2009 - 415 páginas Packed with stimulating writing exercises, numerous quotes and over 30 extracts from literature across a wide variety of genres, this book will both inspire and assist anyone interested in creative writing. The book can be followed as a complete course or dipped into as desired. |
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Resultados 1-3 de 44
Página 36
... rhythm of the lines so that it is rich and strange , almost other - worldly . Take a passage from a novel , short story , poem or some life writing , preferably a passage with which you are unfamiliar . If it is prose , choose about ten ...
... rhythm of the lines so that it is rich and strange , almost other - worldly . Take a passage from a novel , short story , poem or some life writing , preferably a passage with which you are unfamiliar . If it is prose , choose about ten ...
Página 56
... rhythm in the way we speak ; Shakespeare , for instance , used iambic pentameter in his plays . Mamet's example of an exchange , quoted above , echoes the Latin mass or catechism : a statement and response , or question and answer . The ...
... rhythm in the way we speak ; Shakespeare , for instance , used iambic pentameter in his plays . Mamet's example of an exchange , quoted above , echoes the Latin mass or catechism : a statement and response , or question and answer . The ...
Página 120
... rhythm of shots , remember that there is a visual rhythm created by the duration of the scenes . Many brief , juxtaposed scenes create a fast pace , and scene length can vary enormously within a film from one minute to ten minutes . A ...
... rhythm of shots , remember that there is a visual rhythm created by the duration of the scenes . Many brief , juxtaposed scenes create a fast pace , and scene length can vary enormously within a film from one minute to ten minutes . A ...
Índice
Playing with genre | 1 |
Conflict and contrast | 14 |
Vision and revision | 28 |
Página de créditos | |
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Términos y frases comunes
ACTIVITY actors adaptation analogy Andrew O'Hagan Annie asked audience Boori chapter character's contrast create Dalal Dalloway David Mamet dialogue door dramatic action extract eyes Faber and Faber father feel fiction film genre girl Griselda hand idiolect images imagine instance Lawrence Beesley layout lines listener London look Marje Marlene Marlow Mass-Observation Miss Botting monologue montage montage sequence narrative narrator never night Nijo novel opening Oscar and Lucinda pantoum passage Pause piece Plath play poem poetry radio radio drama reader Reading DISCUSSION Real Durwan remember rhyme rhythm Rose Tremain Ruth scene script seen sentences sequence sestina shot Singing Detective smiling sonnet speech stage status storytelling strands Sylvia Plath talking Tanika Gupta techniques Teddy tell tension theme things thought turn Ugwu Vicky villanelle Violin Violin Lessons voice voice-over watching woman words Writing DISCUSSION Yvonne