A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and VoiceA. & C. Black, 2009 - 415 páginas Packed with stimulating writing exercises, numerous quotes and over 30 extracts from literature across a wide variety of genres, this book will both inspire and assist anyone interested in creative writing. The book can be followed as a complete course or dipped into as desired. |
Dentro del libro
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... Feeling how a dramatist's words feel on your lips and your teeth , how it feels in your stomach , what it does to your chest is really , really important ... I think if people want to write , they should pick two or three dramatists ...
... Feeling how a dramatist's words feel on your lips and your teeth , how it feels in your stomach , what it does to your chest is really , really important ... I think if people want to write , they should pick two or three dramatists ...
Página 38
... feeling of being ' bare ' by introducing uncertainty as to why she is being ' met ' , and turns the people into hostile figures by having her speaker feel in need of ' protection ' . In the original , Plath has just forgotten to bring a ...
... feeling of being ' bare ' by introducing uncertainty as to why she is being ' met ' , and turns the people into hostile figures by having her speaker feel in need of ' protection ' . In the original , Plath has just forgotten to bring a ...
Página 285
... feeling , as if I've been on a long journey . I still want to hear the music . That's why I joined the record library . Beethoven's my favourite , the violin concerto . It's the sort of music that stays with you , keeps you going . I feel ...
... feeling , as if I've been on a long journey . I still want to hear the music . That's why I joined the record library . Beethoven's my favourite , the violin concerto . It's the sort of music that stays with you , keeps you going . I feel ...
Índice
Playing with genre | 1 |
Conflict and contrast | 14 |
Vision and revision | 28 |
Página de créditos | |
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Términos y frases comunes
ACTIVITY actors adaptation analogy Andrew O'Hagan Annie asked audience Boori chapter character's contrast create Dalal Dalloway David Mamet dialogue door dramatic action extract eyes Faber and Faber father feel fiction film genre girl Griselda hand idiolect images imagine instance Lawrence Beesley layout lines listener London look Marje Marlene Marlow Mass-Observation Miss Botting monologue montage montage sequence narrative narrator never night Nijo novel opening Oscar and Lucinda pantoum passage Pause piece Plath play poem poetry radio radio drama reader Reading DISCUSSION Real Durwan remember rhyme rhythm Rose Tremain Ruth scene script seen sentences sequence sestina shot Singing Detective smiling sonnet speech stage status storytelling strands Sylvia Plath talking Tanika Gupta techniques Teddy tell tension theme things thought turn Ugwu Vicky villanelle Violin Violin Lessons voice voice-over watching woman words Writing DISCUSSION Yvonne