A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and VoiceA. & C. Black, 2009 - 415 páginas Packed with stimulating writing exercises, numerous quotes and over 30 extracts from literature across a wide variety of genres, this book will both inspire and assist anyone interested in creative writing. The book can be followed as a complete course or dipped into as desired. |
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Página 330
Developing Dramatic Technique, Individual Style and Voice Bill Greenwell Derek Neale. Ruth : Someone might be in it . Teddy : No. They've got their own beds . Ruth : Pause . Shouldn't you wake someone up ? Tell them you're here ? Teddy ...
Developing Dramatic Technique, Individual Style and Voice Bill Greenwell Derek Neale. Ruth : Someone might be in it . Teddy : No. They've got their own beds . Ruth : Pause . Shouldn't you wake someone up ? Tell them you're here ? Teddy ...
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... Ruth : Do you want to stay ? Teddy : Stay ? Ruth : Pause . We've come to stay . We're bound to stay ... for a few days . I think ... the children ... might be missing us . Teddy : Don't be silly . Ruth : They might . Teddy : Look , we ...
... Ruth : Do you want to stay ? Teddy : Stay ? Ruth : Pause . We've come to stay . We're bound to stay ... for a few days . I think ... the children ... might be missing us . Teddy : Don't be silly . Ruth : They might . Teddy : Look , we ...
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... Ruth : I just feel like some air . Teddy : But I'm going to bed . Ruth : That's all right . Teddy : But what am I going to do ? Pause . The last thing I want is a breath of air . Why do you want a breath of air ? Ruth : I just do ...
... Ruth : I just feel like some air . Teddy : But I'm going to bed . Ruth : That's all right . Teddy : But what am I going to do ? Pause . The last thing I want is a breath of air . Why do you want a breath of air ? Ruth : I just do ...
Índice
Playing with genre | 1 |
Conflict and contrast | 14 |
Vision and revision | 28 |
Página de créditos | |
Otras 47 secciones no se muestran.
Términos y frases comunes
ACTIVITY actors adaptation analogy Andrew O'Hagan Annie asked audience Boori chapter character's contrast create Dalal Dalloway David Mamet dialogue door dramatic action extract eyes Faber and Faber father feel fiction film genre girl Griselda hand idiolect images imagine instance Lawrence Beesley layout lines listener London look Marje Marlene Marlow Mass-Observation Miss Botting monologue montage montage sequence narrative narrator never night Nijo novel opening Oscar and Lucinda pantoum passage Pause piece Plath play poem poetry radio radio drama reader Reading DISCUSSION Real Durwan remember rhyme rhythm Rose Tremain Ruth scene script seen sentences sequence sestina shot Singing Detective smiling sonnet speech stage status storytelling strands Sylvia Plath talking Tanika Gupta techniques Teddy tell tension theme things thought turn Ugwu Vicky villanelle Violin Violin Lessons voice voice-over watching woman words Writing DISCUSSION Yvonne