Cosmetics in Shakespearean and Renaissance DramaEdinburgh University Press, 2012 M10 12 - 232 páginas This original study examines how the plays of Shakespeare and other Renaissance dramatists reflect and engage with the early modern discourse of cosmetics. |
Contenido
Early Modern Cosmetic Culture | |
Cosmetic Restoration in Jacobean Tragedy | |
John Webster and the Culture of Cosmetics | |
Jonsons Cosmetic Ritual | |
Cosmetics and Poetics in Shakespearean Comedy | |
Deceived with ornament Shakespeares Venice | |
Flattering Unction Cosmetics in Hamlet | |
Epilogue | |
Index | |
Otras ediciones - Ver todas
Cosmetics in Shakespearean and Renaissance Drama Karim-Cooper Farah Karim-Cooper Vista previa limitada - 2019 |
Términos y frases comunes
actors adornment Anatomy of Melancholy anti-cosmetic anxiety appearance argues argument artistic associated authors beauty becomes body calls casket character closet colours complexion construction contains contemporary cosmetic court critics cultural death deception describes desire Devil discourse drama Duchess early modern Elizabeth Elizabethan England English example eyes face painting fair fashion fear female feminine Figure give hair Hamlet hand identity imagery ingredients Italy John Jonson Lady language lead London material means metaphorical mirrors misogyny moral moralists nature notion objects painted faces paradox perfumes physical picture play points poison political practice Press provides Queen recipes ref1 ref2 ref3 ref4 refers reflection relationship Renaissance representation Rich rituals scene Second Secrets seems sexual Shakespeare signifiers skin social stage suggests tells term theatre theatrical things Thomas tract Tragedy trap University vanity Venice Webster witchcraft woman women writes