A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and VoiceA. & C. Black, 2009 - 415 páginas Packed with stimulating writing exercises, numerous quotes and over 30 extracts from literature across a wide variety of genres, this book will both inspire and assist anyone interested in creative writing. The book can be followed as a complete course or dipped into as desired. |
Dentro del libro
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Página 43
... script are the essential , storytelling kernels . We will now look at how a script is set out on the page , and how this layout conveys information concisely and clearly . Script layout for the stage Look at Figure 1 , a sample page ...
... script are the essential , storytelling kernels . We will now look at how a script is set out on the page , and how this layout conveys information concisely and clearly . Script layout for the stage Look at Figure 1 , a sample page ...
Página 124
... scripts Script layout for film Look at Figure 9 , a sample page from a film script . What do you notice about the way in which the script is laid out ? How does it differ from a stage or radio layout ? This script follows the BBC's ...
... scripts Script layout for film Look at Figure 9 , a sample page from a film script . What do you notice about the way in which the script is laid out ? How does it differ from a stage or radio layout ? This script follows the BBC's ...
Página 131
... script because there is too much of it . You will see that I have a montage sequence at the start of this adaptation script , which tells the viewer immediately how the man has changed his outlook on his work . The lathe is covered ...
... script because there is too much of it . You will see that I have a montage sequence at the start of this adaptation script , which tells the viewer immediately how the man has changed his outlook on his work . The lathe is covered ...
Índice
Playing with genre | 1 |
Conflict and contrast | 14 |
Vision and revision | 28 |
Página de créditos | |
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Términos y frases comunes
ACTIVITY actors adaptation analogy Andrew O'Hagan Annie asked audience Boori chapter character's contrast create Dalal Dalloway David Mamet dialogue door dramatic action extract eyes Faber and Faber father feel fiction film genre girl Griselda hand idiolect images imagine instance Lawrence Beesley layout lines listener London look Marje Marlene Marlow Mass-Observation Miss Botting monologue montage montage sequence narrative narrator never night Nijo novel opening Oscar and Lucinda pantoum passage Pause piece Plath play poem poetry radio radio drama reader Reading DISCUSSION Real Durwan remember rhyme rhythm Rose Tremain Ruth scene script seen sentences sequence sestina shot Singing Detective smiling sonnet speech stage status storytelling strands Sylvia Plath talking Tanika Gupta techniques Teddy tell tension theme things thought turn Ugwu Vicky villanelle Violin Violin Lessons voice voice-over watching woman words Writing DISCUSSION Yvonne