A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and VoiceA. & C. Black, 2009 - 415 páginas Packed with stimulating writing exercises, numerous quotes and over 30 extracts from literature across a wide variety of genres, this book will both inspire and assist anyone interested in creative writing. The book can be followed as a complete course or dipped into as desired. |
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Página 56
... idiolect of individual characters . You have seen how individual and typical speech patterns are often realised by using very simple parts of the language . You have been shown the correct layout for submission scripts for stage plays ...
... idiolect of individual characters . You have seen how individual and typical speech patterns are often realised by using very simple parts of the language . You have been shown the correct layout for submission scripts for stage plays ...
Página 183
... idiolect , keeping to the diction , keeping to the perspective – is an important skill when writing fiction . At first it may seem ' austere ' , as Bennett calls it , but if done well it can allow the reader to see around and between ...
... idiolect , keeping to the diction , keeping to the perspective – is an important skill when writing fiction . At first it may seem ' austere ' , as Bennett calls it , but if done well it can allow the reader to see around and between ...
Página 194
... idiolect . The voices you create are located in a fictional community and it is important to identify and use the appropriate register for your narrative voice , and for your dialogue voices , in order to articulate the story . You will ...
... idiolect . The voices you create are located in a fictional community and it is important to identify and use the appropriate register for your narrative voice , and for your dialogue voices , in order to articulate the story . You will ...
Índice
Playing with genre | 1 |
Conflict and contrast | 14 |
Vision and revision | 28 |
Página de créditos | |
Otras 47 secciones no se muestran.
Términos y frases comunes
ACTIVITY actors adaptation analogy Andrew O'Hagan Annie asked audience Boori chapter character's contrast create Dalal Dalloway David Mamet dialogue door dramatic action extract eyes Faber and Faber father feel fiction film genre girl Griselda hand idiolect images imagine instance Lawrence Beesley layout lines listener London look Marje Marlene Marlow Mass-Observation Miss Botting monologue montage montage sequence narrative narrator never night Nijo novel opening Oscar and Lucinda pantoum passage Pause piece Plath play poem poetry radio radio drama reader Reading DISCUSSION Real Durwan remember rhyme rhythm Rose Tremain Ruth scene script seen sentences sequence sestina shot Singing Detective smiling sonnet speech stage status storytelling strands Sylvia Plath talking Tanika Gupta techniques Teddy tell tension theme things thought turn Ugwu Vicky villanelle Violin Violin Lessons voice voice-over watching woman words Writing DISCUSSION Yvonne