A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and VoiceA. & C. Black, 2009 - 415 páginas Packed with stimulating writing exercises, numerous quotes and over 30 extracts from literature across a wide variety of genres, this book will both inspire and assist anyone interested in creative writing. The book can be followed as a complete course or dipped into as desired. |
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Resultados 1-3 de 31
Página 334
... asked a question we didn't bother to answer it , we concentrated on why it had been asked . No one could make an ' innocuous ' remark without everyone instantly grasping what lay behind it . Normally we are ' forbidden ' to see status ...
... asked a question we didn't bother to answer it , we concentrated on why it had been asked . No one could make an ' innocuous ' remark without everyone instantly grasping what lay behind it . Normally we are ' forbidden ' to see status ...
Página 370
... asked which of the other arts novel - writing is most like , and I have come to believe it is acting . Of course ... asking for everything I had . After some weeks , - I could see each of my characters in their exact colours : some knew ...
... asked which of the other arts novel - writing is most like , and I have come to believe it is acting . Of course ... asking for everything I had . After some weeks , - I could see each of my characters in their exact colours : some knew ...
Página 376
... asked . Jomo beamed , as if this was exactly the question he had wanted , and began to talk about his hunting . Ugwu sat on the steps that led to the backyard and listened . From the first day , he did not believe Jomo's stories - of ...
... asked . Jomo beamed , as if this was exactly the question he had wanted , and began to talk about his hunting . Ugwu sat on the steps that led to the backyard and listened . From the first day , he did not believe Jomo's stories - of ...
Índice
Playing with genre | 1 |
Conflict and contrast | 14 |
Vision and revision | 28 |
Página de créditos | |
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Términos y frases comunes
ACTIVITY actors adaptation analogy Andrew O'Hagan Annie asked audience Boori chapter character's contrast create Dalal Dalloway David Mamet dialogue door dramatic action extract eyes Faber and Faber father feel fiction film genre girl Griselda hand idiolect images imagine instance Lawrence Beesley layout lines listener London look Marje Marlene Marlow Mass-Observation Miss Botting monologue montage montage sequence narrative narrator never night Nijo novel opening Oscar and Lucinda pantoum passage Pause piece Plath play poem poetry radio radio drama reader Reading DISCUSSION Real Durwan remember rhyme rhythm Rose Tremain Ruth scene script seen sentences sequence sestina shot Singing Detective smiling sonnet speech stage status storytelling strands Sylvia Plath talking Tanika Gupta techniques Teddy tell tension theme things thought turn Ugwu Vicky villanelle Violin Violin Lessons voice voice-over watching woman words Writing DISCUSSION Yvonne